{"id":5217,"date":"2026-03-30T14:05:22","date_gmt":"2026-03-30T18:05:22","guid":{"rendered":"https:\/\/enpiste.qc.ca\/formation\/experimental-circus-dramaturgy-constraints-and-possibilities-of-short-form-performance\/"},"modified":"2026-03-31T15:35:33","modified_gmt":"2026-03-31T19:35:33","slug":"experimental-circus-dramaturgy-constraints-and-possibilities-of-short-form-performance","status":"publish","type":"formation","link":"https:\/\/enpiste.qc.ca\/en\/formation\/experimental-circus-dramaturgy-constraints-and-possibilities-of-short-form-performance\/","title":{"rendered":"Experimental circus dramaturgy: constraints and possibilities of short-form performance (only in french)"},"content":{"rendered":"\n

First edition: June 15\u201321, 2026<\/strong> <\/h2>\n\n

About the course<\/h2>\n\n

This training program, the first of its kind in Quebec, is dedicated to circus dramaturgy applied to the creation of short form works, where the composition of an intimate and evocative stage language takes precedence over spectacle.<\/strong> This intensive course, combining theory and practical exploration, takes place over seven days in Montreal.<\/strong><\/p>\n\n

This is a pilot project developed by En Piste in partnership with Andr\u00e9ane Leclerc and made possible thanks to financial support from the Commission des partenaires du march\u00e9 du travail (CPMT) through the Impulsion-Comp\u00e9tences programme.<\/p>\n\n

Educational committee<\/h2>\n\n

Andr\u00e9ane Leclerc, Paloma Leyton, Mathilde Perahia et Ricard Soler Mallol.<\/p>\n\n

Teachers<\/h2>\n\n

Andr\u00e9ane Leclerc, Paloma Leyton, Mathilde Perahia, Ricard Soler Mallol and two experts to be announced at a later date.<\/p>\n\n

Target audience<\/h2>\n\n

Open to all performing arts creators and designers wishing to explore the specificities of circus dramaturgy and its practical application within the context of short-form circus. <\/p>\n\n

Ojectives <\/h2>\n\n
    \n
  • Acquire dramaturgical tools and stage writing methodologies, both general and specific to the circus <\/li>\n\n\n\n
  • Gain the tools to conceive, write and structure a short-form circus piece <\/li>\n\n\n\n
  • View constraints as spaces of possibility (venues, technical aspects, resources, body\u2026) <\/li>\n\n\n\n
  • Take on multiple roles in the creative process (dramaturg, director, performer, designer) <\/li>\n\n\n\n
  • Consider the connection with the audience and the community at the outset of the process (Identify who you are addressing, who your audience is and how you reach them? How does this impact the form?) <\/li>\n\n\n\n
  • Strengthen ties within the artistic community and share practices <\/li>\n\n\n\n
  • Promote experimental approaches and circus experimentation <\/li>\n\n\n\n
  • Reflect on the political dimension and dynamics of one\u2019s own creative actions in relation to the local ecosystem <\/li>\n\n\n\n
  • Develop critical and reflective thinking on circus writing <\/li>\n<\/ul>\n\n

    *Details regarding the content, venue and trainers will be announced shortly. <\/p>\n\n

    \"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

    First edition: June 15\u201321, 2026. <\/p>\n

    Applications will be accepted via the online form from 1\u201315 April \u2013 keep an eye on our social media! <\/p>\n

    Selection by 30 April <\/p>\n","protected":false},"featured_media":5233,"template":"","meta":{"_acf_changed":false},"categories":[163],"tags":[164],"class_list":["post-5217","formation","type-formation","status-publish","has-post-thumbnail","hentry","category-group-training","tag-our-training"],"acf":{"nom_du_partenaire":"Commission des partenaires du march\u00e9 du travail","lien_inscription":"","programmes_accordeon":null,"date_de_debut_formation":"20260615","date_de_fin_formation":"20260621","credit":"Alba L\u00f3pez Pedrero"},"yoast_head":"\nExperimental circus dramaturgy: constraints and possibilities of short-form performance (only in french) - En Piste<\/title>\n<meta name=\"description\" content=\"Intensive training in circus dramaturgy focused on short-form performances. 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